https://www.bryanmarkovitz.com/lost-museums-proposal daily 0.75 2015-01-31 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422480902693-LVFB6ZEQIUHFAMBMJ26L/LM4-7.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422486322081-ZHC8HOYZ91G86YIIUIS3/LM11.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422391221854-E0SOT2FMNRFMHK3IZNAN/LM6.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422391910729-C62FRJMPOL3T9NPNEO5N/LM8.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422392103424-CA7P0EV71EOF9BNU9960/LM9.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422393377069-CERFBL3WHRWQHW91B0F5/markovitz-roussel10-web.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422393636589-J9YMSADWA2CP8FSQE8K0/LM13.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422486104681-DLHR3GCRJEBXL4K8Q9YW/LM14.jpg Lost Museums Proposal https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1422486223610-0GK8RP8WWFKLAV7PQJJR/LM2.jpg Lost Museums Proposal https://www.bryanmarkovitz.com/home daily 1.0 2025-09-30 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1662391270546-GS1OWMG2EGY72MCNLWNO/DREAMCUBE-0103_v2.jpg Home https://www.bryanmarkovitz.com/fugitive-and-its-double-gallery daily 0.75 2015-09-30 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1443629168038-D9UWJ799X13AMFAQOZAT/01_Holyoke+Center.jpg Fugitive-and-its-Double Gallery - Holyoke Center, Harvard University, ca 1962 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1443629168038-D9UWJ799X13AMFAQOZAT/01_Holyoke+Center.jpg Fugitive-and-its-Double Gallery - Holyoke Center, Harvard University, ca 1962 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322107-M6F9JHQUJFVL29HXQJCF/02_HolyokeCenter.jpg Fugitive-and-its-Double Gallery - Holyoke Center, Harvard University, ca 1962 Detail of human-scale emphasis on pattern, horizontality, and setback from street. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876321873-TQTLGCFG2HYDB9J1CNJT/03_1963InstallationRothko.jpg Fugitive-and-its-Double Gallery - Rothko with Fogg Museum conservators Photos taken during the initial test installation, February 1963. This photo is often noted to show that Rothko "admired the view". https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322089-K2A7GUNUM120MJDGTA10/04_1963Installation_R%26C.jpg Fugitive-and-its-Double Gallery - Mark Rothko and Fogg Art Museum Director John Coolidge https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322349-AHYZ2LUT72VDDF8OX9FJ/05_1963InstallationR%26S.jpg Fugitive-and-its-Double Gallery - Mark Rothko and Josep Lluís Sert in the Holyoke Center penthouse Sert was the architect of the Holyoke Center and Director of Harvard's Graduate School of Design. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322423-V9B73L9NEVBFPQTQ040O/06_1963InstallationStretching.jpg Fugitive-and-its-Double Gallery - Fogg Conservators stretching the mural canvases onto frames https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322520-0B8O0AL9IY18OZLE7JAA/07_1963InstallationHanging.jpg Fugitive-and-its-Double Gallery - Students assisting with the hanging of Panel 1 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876323963-XO277E1MZ10Q7NRH04B6/08_1963InstallationPanel5.jpg Fugitive-and-its-Double Gallery - Panel 5 in place near the skylight window This painting suffered the greatest exposure to sunlight, and its original pinkish hue has faded to blue-gray. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322678-ZPX7C4SJ9Y2117UMSR20/09_1963InstallationTriptych1.jpg Fugitive-and-its-Double Gallery - Initial hanging of the triptych https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876322922-JNM7XA29UFFMTY0EWQ88/10_1963InstallationTriptych2.jpg Fugitive-and-its-Double Gallery - The triptych in the Holyoke Center penthouse dining room https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876323016-RB3034A1Y3FYZ55BFJ2J/11_RothkoStudio1.jpg Fugitive-and-its-Double Gallery - Mark Rothko in his New York studio Note the high ceilings, windows, and movable walls for spatial experiments. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876323128-8Q5QXC2KIZ8PZ0DKFZSG/12_RothkoStudio2.jpg Fugitive-and-its-Double Gallery - Rothko moving a canvas for reconfigutation https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876323706-X2DHO7R2WN8M5DISTSYL/13_RothkoStudio3.jpg Fugitive-and-its-Double Gallery - Rothko in his studio A table full of pigments, binding mediums, and hand-mixed paints. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876323968-VTVEF84X1WS3R4RWY20H/14_RothkoStudio4.jpg Fugitive-and-its-Double Gallery - Rothko contemplating a painting Much of his studio time was spent in observation of the painting's visual (and visceral) effects. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876324609-VFWD0C9982IXJV92GB3E/15_HarvardExhibition1.jpg Fugitive-and-its-Double Gallery - The "restored" Harvard Murals at the Harvard Art Museums, 2014 View of the triptych. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876324647-ID363G6Z4J7UPKC5BF77/16_HarvardExhibition2.jpg Fugitive-and-its-Double Gallery - The "restored" Harvard Murals at the Harvard Art Museums View of panels 4 and 5. Note the mustard-yellow walls, and the careful combination of ambient light (created with theatrical instruments) and light from the projectors seen overhead. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876325386-NJF226J7DAR3JD0AW3HM/17_LaurentianLibrary.jpg Fugitive-and-its-Double Gallery - Michaelangelo's Laurentien Library (vestibule) Rothko claimed that these "blank" windows influenced his mural projects. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876324882-51PGFZJU1G3OIVB0V65E/18_Off1.jpg Fugitive-and-its-Double Gallery - Panel 5 in its "restored" colors https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1443630591661-HQYI4JQDLAIF7U24NYRQ/18_Off2.jpg Fugitive-and-its-Double Gallery - Panel 5 with the projection turned off https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876326107-46RI6Z4PV948KE85TAWF/19_Off3.jpg Fugitive-and-its-Double Gallery - View of the triptych with the projections turned off https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876326569-A6PJIMPKS049RU81DO1H/20_Off4.jpg Fugitive-and-its-Double Gallery - Another view of the triptych with the projections turned off https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876326592-BG6WZ0BXN1050K98OJ7M/21_Spillover.jpg Fugitive-and-its-Double Gallery - Detail showing tacking margin with original paint Note the very thin line of projected color that spills off of the painting onto the wall (caused by a specific constraint in the experimental system). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876326710-JWLPH4U023GX0AWTMJL8/22_PosterBoard1.jpg Fugitive-and-its-Double Gallery - A conservator demonstrating the effect of the projection with a poster board https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876326804-T3JSOMYRQ54SY01057OZ/23_PosterBoard2.jpg Fugitive-and-its-Double Gallery - A conservator demonstrating the effect of the projection with a poster board https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876327560-77FUIQJ4XX7YDJKBJPKI/24_PosterBoard3.jpg Fugitive-and-its-Double Gallery - A conservator demonstrating the effect of the projection with a poster board https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876327412-A75UYBMHLZ2VRIPCIOBL/25_PaintCrossSection4.png Fugitive-and-its-Double Gallery - Cross section of a small paint sample used for material analysis https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876327704-A2G13AGB2Z9OO26F9X8K/26_PaintCrossSection2.png Fugitive-and-its-Double Gallery - Example of the spectral analysis used to determine the murals' material composition https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876327677-HB14UWQWRCMS7NUZF9SF/27_MolecularStructureLitholRed.png Fugitive-and-its-Double Gallery - Molecular structure of "the fugitive" pigment https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876328332-OW7WY601QDIALNP8U21R/28_LitholRedCrystals.png Fugitive-and-its-Double Gallery - Crystal formation of the "fugitive" pigment viewed under a microscope https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876328450-Z32UA44FSSB1Q32NA4OP/29_PaintSpectrumAnalysis.png Fugitive-and-its-Double Gallery - Additional spectral analysis of paint layers https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876329040-KYQZ86EUT8SQ4LM09QCS/30_Apparatus.png Fugitive-and-its-Double Gallery - Model of the technical apparatus used to restore the Harvard Murals https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876328997-EY34XEDKTDD74X5DFHJH/31_ProjectionMapping2.jpg Fugitive-and-its-Double Gallery - View of the restoration technology in use during exhibit installation https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876329145-60CTSDKT90SDXGPSW8I2/32_ProjectionMapping3.jpg Fugitive-and-its-Double Gallery - Members of the curatorial and conservation team test the system https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876329387-NQ0WY8N2WY6IVKRLOA39/33_0520_rothko-harvard03-wide.jpg Fugitive-and-its-Double Gallery - Installation of the Harvard Murals, 2014 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1442876329337-BZ4OSO40RVAC3KU6NOR3/34_Harvard-Rothkos-1200.jpg Fugitive-and-its-Double Gallery - Original 1964 Kodak slide image used to abduct original colors of the Murals Due to deterioration and original design, these slides had their own shifts in color that had to be digitally addressed in the conservation process. https://www.bryanmarkovitz.com/portfolio daily 0.75 2022-09-05 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553703319554-S25GDOOF5X8V7S3R0HM3/DesignRes_sample3.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381032022-XZCUPXLMY1PPBXDZXNGI/Mattel_Proposal_092410+15.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381032183-BC9TIOSDE24JTATV17JN/Mattel_Proposal_092410+16.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381032604-ONKS8ODUZJAF0CDW97PE/Mattel_Proposal_092410+17.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381032718-GHC45CETS7SG4RFKUPWF/Mattel_Proposal_092410+18.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381033109-3CLR47HELZWV2Y0PV82R/Mattel_Proposal_092410+19.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553381033348-PXQHKG5GU6VMMX48RXF8/Mattel_Proposal_092410+20.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382237045-W49EIW71TVHMBJSOQ57N/AP_agile_model.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382237045-6L7OXOXT1EVXCICN6U0C/design_strategy_sample1.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382237896-6FS5VY7LFX2UAA7ESSP5/design_strategy_sample6.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382237826-3B2YI4N3EB29LH3W6Y7J/EXP_Engagement_Presentation_Final%2B11.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382239143-E70ZRIIKSTDULEVLJ3K2/proposal_sample2_web.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382239355-WDL8VG3NQMXICMCHDDE0/proposal_sample3_web.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382239920-QMNG037FVSIK3WDJPA4G/proposal_sample4_web.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382239887-RQ1YAMB9MR65UBQNN86M/proposal_sample6_web.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382240550-J19KDZQ18X6ALF144RMB/proposal_sample7_web.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614467680033-HLITQTALHFA0RZOB28JX/Screen+Shot+2021-02-27+at+5.14.34+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614467785693-SO9WCQQR4T6X9TVM24TL/Screen+Shot+2021-02-27+at+5.16.21+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468515432-VIOYT1K297JHE1A49Z1A/Screen+Shot+2021-02-27+at+5.28.19+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468673456-63XH4NRLHJO95Z5WO97C/Screen+Shot+2021-02-27+at+5.31.09+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468968692-90QX5CBNOMZ88UP95JU3/Screen+Shot+2021-02-27+at+5.36.03+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468642874-BNEZGM5H12LO1BKOSSEC/Screen+Shot+2021-02-27+at+5.30.37+PM.png Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588192-3SSTW0017F86QN6EAMS3/dev_sample6.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588664-Q2OD6DDJ5Q7QN8VJEN8T/dev_sample7.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720587885-S7LFZOJ9EMXS0DZGHCNW/CommFundPlan-Sample-CCOP%2B46.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588812-RVOK7O7RV6VCEGU32E13/ESIPositioningStmt2010_Page_1.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720589237-CJYHQRFHL31YKQ53LF0T/strat_samples1.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588056-FE0FEU582KSAWH0N137J/design_strategy_sample3.jpg Experience & Exhibit Design https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553642347107-GOQ4MR2Z5SQSBTG0A891/bizdev_sample1_web.jpg Experience & Exhibit Design Cultivating new clients involves leading teams through progressive stages of strategy, production, and engagement. To help others visualize this process, I created this flow diagram that incorporates research, design, pitch production, and relationship-management procedures for new clients. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1662391736948-XZH2IKKX64UKYRJD5775/HD_01.jpg Experience & Exhibit Design Experience Gallery, Harley Davidson Museum (Luci Creative) https://www.bryanmarkovitz.com/theatre daily 0.75 2022-09-05 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359921594933-UT48Q8FXZFFBEJ3UJ8BO/sds3-web.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359922415951-YO25A421BN73FBZKEXNQ/markovitz_handke_web2.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359922558061-7ULTI5TWRWKDGBQDLCWL/markovitz_suicide1_web.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359921934608-LG312LI7Q00A2PYTBWKT/markovitz_objects2_web.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1454262300458-21ACW94KUYF7QDOI7KG3/faust-web2.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359919965787-9VFQ2CKKMSVTZ00GCTRX/markovitz_threeplays2_web.jpg Theatre Directing https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359919753554-14CZKZNOE9XPHPHG8Q3Z/image-asset.jpeg Theatre Directing https://www.bryanmarkovitz.com/research daily 0.75 2023-06-02 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1450566193345-BBGARFFDI5WMJU6KM13W/image-asset.png Research Poster image links: Hi-Res (150 ppi); Lo-Res (72 ppi) https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1586026091634-D3NO4PLKZC2D0XCSYNV0/1bd97c98-73d1-4bba-855b-2a79f70d215c-1.jpg Research https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553464116424-A5KAH85C0HHW2XCMAXD4/MAP_01.jpg Research https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553534926876-UAIIOZOFQ0ETX92YO8U5/LM_Presentation_Images.007.jpg Research https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1554594121904-OXIT334GGWMX2W9Y61WH/Ansacq_Sound_web.jpg Research https://www.bryanmarkovitz.com/art-performance daily 0.75 2022-09-05 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553469149892-H739RINUV050SV0I9GVA/markovitz-roussel1-web.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359918986966-NHPDG4BEVVFZAI2G8TM0/saic-stillact1-08.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359918015137-B53KGTVNOFDPHQH77YID/markovitz-pwnw2-web.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553530206530-DKL3AVN7B2ZAHOLYKS5L/image-asset.jpeg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553469735498-NDYWHMCBLGCIBHLNUDKD/markovitz-artfair6-web.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359915781501-C77SQOIRKLYGEW7G73CK/moa5_web.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359911869699-W1QQVXIRXU37NYFPXOLB/markovitz-swan2-web.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359919140561-AFVQFOPS0WGASYJEM2VT/saic-stillact2-03.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1359921281122-Y35M314TJ4A5YDV18TZ8/markovitz_flux1_crop.jpg Art & Performance https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1451261732352-MW0ZXFDTHKC0BNTKKS9N/Asq_4.jpg Art & Performance https://www.bryanmarkovitz.com/proposal-gallery daily 0.75 2019-03-23 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382478395-RDED4IDZUU8OOZ4FF492/AP_agile_model.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382478395-RDED4IDZUU8OOZ4FF492/AP_agile_model.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382478394-Y5RILBG4EHD5FZ7SMTGU/design_strategy_sample1.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382479267-B7KGQK6GIS1FKKMB99OC/design_strategy_sample6.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382479193-XCDVUY6N5ZKCQ6UISM3K/EXP_Engagement_Presentation_Final%2B11.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382480389-HFNEZA25092A0JQMBCAC/proposal_sample2_web.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382480588-17QVAPLBWS0ILVHOGRXK/proposal_sample3_web.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382481134-U3E9AHFQ0SUHQASUL21P/proposal_sample4_web.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382481132-XP12IZ2DR981JYYGVGG2/proposal_sample6_web.jpg Proposal Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553382481788-YQ8X28C0HGVJXGTOAOLV/proposal_sample7_web.jpg Proposal Gallery https://www.bryanmarkovitz.com/press daily 0.75 2025-09-30 https://www.bryanmarkovitz.com/vitae daily 0.75 2025-11-13 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1498035370606-X7QOBVTQMUW8TJXU0LTQ/image-asset.jpeg Vitæ https://www.bryanmarkovitz.com/strat-comm-gallery daily 0.75 2021-02-27 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614467680033-HLITQTALHFA0RZOB28JX/Screen+Shot+2021-02-27+at+5.14.34+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614467680033-HLITQTALHFA0RZOB28JX/Screen+Shot+2021-02-27+at+5.14.34+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614467785693-SO9WCQQR4T6X9TVM24TL/Screen+Shot+2021-02-27+at+5.16.21+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468515432-VIOYT1K297JHE1A49Z1A/Screen+Shot+2021-02-27+at+5.28.19+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468673456-63XH4NRLHJO95Z5WO97C/Screen+Shot+2021-02-27+at+5.31.09+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468968692-90QX5CBNOMZ88UP95JU3/Screen+Shot+2021-02-27+at+5.36.03+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1614468642874-BNEZGM5H12LO1BKOSSEC/Screen+Shot+2021-02-27+at+5.30.37+PM.png Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588192-3SSTW0017F86QN6EAMS3/dev_sample6.jpg Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588664-Q2OD6DDJ5Q7QN8VJEN8T/dev_sample7.jpg Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720587885-S7LFZOJ9EMXS0DZGHCNW/CommFundPlan-Sample-CCOP%2B46.jpg Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588812-RVOK7O7RV6VCEGU32E13/ESIPositioningStmt2010_Page_1.jpg Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720589237-CJYHQRFHL31YKQ53LF0T/strat_samples1.jpg Strategic Communication Gallery https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1553720588056-FE0FEU582KSAWH0N137J/design_strategy_sample3.jpg Strategic Communication Gallery https://www.bryanmarkovitz.com/story daily 0.75 2025-09-30 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1471800742533-XPHCW5R18D73B1RGUNIS/image-asset.jpeg Story https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1586023578920-ORCZS4S8IQYF58TOWS6R/image-asset.jpeg Story https://www.bryanmarkovitz.com/harvard-murals daily 0.75 2022-09-13 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644616601478-ZZI6PZXGEM250M0ZCFKB/Visitors_look_onto_the_courtyard_of.png Harvard Murals - Fig. 1, Visitors look onto the courtyard of the Center for the Study of World Religions, c. 1960, Harvard Divinity School, bMS/131.9, Photo: Bradford F. Herzog. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644616601478-ZZI6PZXGEM250M0ZCFKB/Visitors_look_onto_the_courtyard_of.png Harvard Murals - Fig. 1, Visitors look onto the courtyard of the Center for the Study of World Religions, c. 1960, Harvard Divinity School, bMS/131.9, Photo: Bradford F. Herzog. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617510891-8XK0RV0XWDBVG58YQQEP/View_of_the_Holyoke_Center_from_Mt.png Harvard Murals - Fig. 2, View of Holyoke Center and Forbes Plaza from Massachusetts Avenue, c. 1960, Photograph, Harvard University Archives, HUV 95 (7-4), © President and Fellows of Harvard College. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617677292-3YUVTW925K7GT5ZP42X6/%E2%88%9Aiew_of_the_Holyoke_Center_from_Mt.png Harvard Murals - Fig. 3, View of the Holyoke Center from Mt. Auburn Street. The tenth-floor penthouse dining room is located at the top left corner., c. 1960, Photograph, Creative Commons Attribution 4.0 International https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617813807-42X0T31R8TTQ0HB4499A/HM_Study_NGA_1986.56.632.png Harvard Murals - Fig. 4, Mark Rothko, Untitled (Study for Harvard Murals), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.56.632, https://rothko.nga https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617879023-1PII6FLORU86ERYZ919M/Rothko_1962.png Harvard Murals - Fig. 5, Mark Rothko, Untitled (Study for Harvard Murals, recto/verso), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 91.79, https://rot https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617947011-G3PVH4NXGBV2M1RRT7QK/Rothko_1962_864.png Harvard Murals - Fig. 5, Mark Rothko, Untitled (Study for Harvard Murals, recto/verso), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 91.79, https://rot https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618044708-6M40JJXY3HPBY1Y6JILG/Rothko_1962_688.png Harvard Murals - Fig. 6, Mark Rothko, Untitled (Study for Harvard Murals), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, H 23.1, 1986.56.631, https://ro https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618108400-QKMTGQI9P2TA1FYNTAOL/Rothko_1937.jpg Harvard Murals - Fig. 7, Mark Rothko, Untitled (Subway), 1937, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.43.113, https://www.nga.gov/collection/art-o https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618164776-SLSP60SLK90157T5MBH2/Third_mural_from_the_triclinium.jpg Harvard Murals - Fig. 8, Third mural from the triclinium, Villa of the Mysteries, Pompeii, Italy. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618344277-V08BEBDLOQU0EL8S62E7/Rothko_1962.jpg Harvard Murals - Fig. 9, Mark Rothko, Untitled (Study for Harvard Murals), 1962, Harvard Art Museums, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.630.1, https://harvardartmuseu https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618451891-EXON1NJG058ZNTAXW1V1/Michelangelo.jpg Harvard Murals - Fig. 10, Michelangelo, Ricetto, Biblioteca Medicea Laurenziana, Florence, Photograph, public domain, https://commons.wikimedia.org/w/index.php?curid=1556784. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618503485-KVX4YB1NDX5H9VNLFK3M/Mark_Rothko_at_his_First_Avenue_stu.jpg Harvard Murals - Fig. 11, Mark Rothko 1485 First Avenue Studio, New York, 1964, Photograph, Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Gift of the Enid and Crosby Kemp https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618560087-2PUV29DYYJKL6OJGYX4A/First_Installation_of_Panel_One_at_.jpg Harvard Murals - Fig. 12, First Installation of Panel One at the Holyoke Center, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Ph https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618711517-TB1BOQ77BFH1QQLU2E92/Mark_Rothko_receiving_his_congratul.jpg Harvard Murals - Fig. 13, Mark Rothko receiving his congratulatory card at the Holyoke Center with his wife Mary Alice, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard Colleg https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618823116-CUC5NJJCW0P1FO6N62MJ/Mark_Rothko_taking_in_the_view_of_C.jpg Harvard Murals - Fig. 14, Mark Rothko taking in the view of Cambridge with Estelle Leontief in the Holyoke Center penthouse, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard C https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618864311-AGH8S81ZBY3UD93XYXFW/Mark_Rothko_with_John_Coolidge_in_t.jpg Harvard Murals - Fig. 15, Mark Rothko with John Coolidge in the Holyoke Center penthouse, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Muse https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619055068-6MM73LT5TJ52RJ98P8PC/Mark_Rothko_enjoying_his_celebrator.jpg Harvard Murals - Fig. 16, Mark Rothko enjoying his celebratory cake with Marjorie Cohn at the Holyoke Center, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619149485-6813SWQD0XM71RJNR4IP/Rothko_451.jpg Harvard Murals - Fig. 17, Before: Mark Rothko, Panel One (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619190960-412852LN1A8QAI5BI9M0/Rothko_451_137.jpg Harvard Murals - Fig. 18, After: Mark Rothko, Panel One (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619238617-LUQUVHSCWUBRP9JJ15KX/Rothko_1962_987.jpg Harvard Murals - Fig. 19, Before: Mark Rothko, Panel Two (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619289028-QKLLRA6VBXXTYE55NAYB/Rothko_1962_735.jpg Harvard Murals - Fig. 20, After: Mark Rothko, Panel Two (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619343482-YJUOV3HVYF429Q4T6563/Rothko_1.jpg Harvard Murals - Fig. 21, Before: Mark Rothko, Panel Three (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 20 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619377065-3DFQ07BYF8CV7NW6WFKZ/Rothko_1_834.jpg Harvard Murals - Fig. 22, After: Mark Rothko, Panel Three (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 201 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619474468-MVFKO8GW1MPYBD2AIFT0/Rothko_1_567.jpg Harvard Murals - Fig. 23, Before: Mark Rothko, Panel Four (Harvard Murals Triptych), 1, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619506277-E2366VLOUK6AXTMVDXP1/Rothko_1_642.jpg Harvard Murals - Fig. 24, After: Mark Rothko, Panel Four (Harvard Murals Triptych), 1, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.6 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619565205-KURXYL1NKPRRS04MC3F0/Rothko_187.jpg Harvard Murals - Fig. 25, Before: Mark Rothko, Panel Five (Harvard Murals), Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619605859-W7WBMDAYYV8V0JFJN9KB/Rothko_452.jpg Harvard Murals - Fig. 26, After: Mark Rothko, Panel Five (Harvard Murals), Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619717184-YUBODLE52W3YJ4N4JFEM/Josep_Llu%25C3%25ADs_Sert_and_Harvard_admini.jpg Harvard Murals - Fig. 27, Josep Lluís Sert and Harvard administrators inspecting the first installation of the Rotrhko Murals, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvar https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619794331-NWWN2CYDFHBO4LEYL5E8/Final_Installation_of_the_triptych__227.jpg Harvard Murals - Fig. 28, Final Installation of the triptych at the Holyoke Center, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619897548-KUW70GAGUYSEPVZUAHWQ/Final_Installation_of_Panel_Five_at.jpg Harvard Murals - Fig. 29, Final Installation of Panel Five at the Holyoke Center, 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619949816-V6RJZ82U2AZJMA067BOP/Evening_dinner_in_the_penthouse_din.jpg Harvard Murals - Fig. 30, Evening dinner in the penthouse dining room, Holyoke Center, circa 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654872921008-CD1WSLR5Q7X0ISYZBU8G/PaintCrossSection4.png Harvard Murals - Fig 31. Magnified cross section of paint sample from Panel Five. Originally printed in: Jens Stenger et al., “The Making of Mark Rothko’s Harvard Murals,” Studies in Conservation 61, no. 6 (2016): 336 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654883309423-DZAZ6F9PHKJENTIWJMYZ/IMG_4460.JPG Harvard Murals - Fig. 32, Tacking strip for Mark Rothko’s Harvard Murals, 15 June 2018, Harvard Art Museums Strauss Center for Conservation Archives, Folder 8. © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654884512485-W4LOQUAOAIR2B24F7CJN/Screen+Shot+2022-06-10+at+1.05.03+PM.png Harvard Murals - Fig. 33, Diffraction pattern graph for Lithol Red, August 1987, Harvard Art Museums Strauss Center for Conservation Archives, Folder 6. © Harvard Art Museums https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654885592188-R9P21F0HS8ZGWZAKBOOL/Fading_Sample.jpg Harvard Murals - Fig 34. Fading test panel produced for the 1988 exhibition and monograph. In: Cohn et al., Mark Rothko’s Harvard Murals, 25. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654886859096-A2JN0IFS77TP7H58R382/Screen+Shot+2022-02-04+at+3.38.54+PM.png Harvard Murals - Fig. 35: Exhibition photo of Mark Rothko’s Harvard Murals featuring Rothko’s works on paper, Harvard University Art Museums (Cambridge, August 6-October 2, 1988). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654886930818-972DZEVAYLMSVBXX96JB/Screen+Shot+2022-02-04+at+3.39.09+PM.png Harvard Murals - Fig. 36: Exhibition photo of Mark Rothko’s Harvard Murals featuring the paintings in their original position with low lighting, Harvard University Art Museums (Cambridge, August 6-October 2, 1988). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663099673788-XNJ28O8QKOG2KOVY7G6G/Detail_of_Panel_One.jpg Harvard Murals - Fig. 37, Detail of Panel One (Harvard Murals) shows pigment-laden paint in relief on the surface of the canvas and the diluted crimson paint soaked into the canvas. 2014, Photograph, Harvard Art Museu https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663099957578-HAMPFBX5ULX2AZ3KICS3/Calcium_Lithol_Red_crystals_grown_i.jpg Harvard Murals - Fig. 38, Calcium Lithol Red crystals grown in the Straus Center laboratory for analysis, 2010, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. The imag https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100043539-B8GA6GR516HBHL496J88/Mock-up_of_painting_created_by_Jens.jpg Harvard Murals - Fig. 39, Mock-up of the painting created by Jens Stenger on display in a classroom at the Harvard Art Museums, 2015, Photograph, Bryan Markovitz. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100169424-TFDKRCBICZI5DY91CC3J/Camera-projector_system_and_workflo.png Harvard Murals - Fig. 40, Camera-projector system and workflow for the color restoration of a mock-up painting, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100228282-25R3Y8GGP3Z3VVDT7U7M/In-situ_view_of_the_process_to_alig.jpg Harvard Murals - Fig. 41, In-situ view of the process to align the compensation image with the painting using a Harris Corner Detector in MATLAB on a laptop computer, 2014, Photograph, Harvard Art Museums Strauss Cent https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100297458-KKYRNNTIZUYQ38T4E9IH/Use_of_the_Harris_Corner_Detector_i.png Harvard Murals - Fig. 42, Use of the Harris Corner Detector in MATLAB to create homography between Panel One (Harvard Murals) and its compensation image, 2014, Photograph, Harvard Art Museums Strauss Center for Conser https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100351005-92UEF0AI52GQ1UH4O1AR/Discolored_1964_Ektachrome_of_Panel.jpg Harvard Murals - Fig. 43, Discolored 1964 Ektachrome of Panel One (Harvard Murals Triptych) in Holyoke Center penthouse dining room, 1964, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Ha https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100438649-JSAGUH5P7CNMVLW9AEXL/Detail_of_the_tacking_margin_on_Pan.jpg Harvard Murals - Fig. 44, Detail of the tacking margin on Panel Five (Harvard Murals) showing the red paint that was protected from fading in the small canvas areas covered by the original staples, 1964, Photograph, H https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100498552-5PGIQQGZIARWRF6GSP67/Panel_Six.jpg Harvard Murals - Fig. 45, Mark Rothko, Panel Six (Harvard Murals), 1962, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Kate Rothko Prizel & Christopher Rothko/ Artists Rights Society (ARS https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100576461-97JS05YJPFROJVHVA2DY/Compensation_images_for_the_digital.jpg Harvard Murals - Fig. 46, Compensation images for the digital restoration of Rothko’s Harvard Murals, showing the uneven but widespread patterns of fading across the panels, 2014, Photograph, Harvard Art Museums Strau https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100630167-DNQT3VXAM5P6K651EEMR/Detail_of_Panel_Four_tacking_margin.jpg Harvard Murals - Fig. 47, Detail of Panel Four tacking margin (Harvard Murals) showing the thin line of projected light that spills over the edge of the canvas, 2014, Photograph, Harvard Art Museums Strauss Center for https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100685704-0GXIPBBWHF91XT2VZ93R/Jens_Stenger_works_with_Mary_Schnei.jpg Harvard Murals - Fig. 48, Jens Stenger works with Mary Schneider Enriquez and Narayan Khandekar to calibrate the projection system in the special exhibitions gallery where the Harvard Murals were exhibited, 2014, Phot https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100761969-PP0KPB8KDDIX0UR838JS/Jens_Stenger_holds_a_white_poster_b.jpg Harvard Murals - Fig. 49, Jens Stenger holds a white poster board against the surface of Panel Four (Harvard Murals) to reveal the compensation image projected onto the painting, 2014, Photograph, Harvard Art Museums https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100815643-EIQRP0T8DVUGKJPZPJMW/Mark_Rothko%27s_Harvard_Murals_before.jpg Harvard Murals - Fig. 50, Image of Mark Rothko's Harvard Murals without light-compensation treatment, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100869538-BOG0PDV75Z8KG46X3KVU/Mark_Rothko%27s_Harvard_Murals_after_.jpg Harvard Murals - Fig. 51, “Target image” of Mark Rothko's Harvard Murals for restoration with projected light, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100919453-SU042EXOA9Z1KHELL3CY/Installation_view_of_the_assembled_.jpg Harvard Murals - Fig. 52, Installation view of the assembled paper and canvas studies created by Mark Rothko for the Harvard Murals, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Ha https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100976606-ILDHV23UTS6E4ZWZCMN0/Installation_view_of_the_virtually_.jpg Harvard Murals - Fig. 53, Installation view of the virtually restored Harvard Murals facing the entrance, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101023262-VJGLFD8J64170ZMMXUSN/Installation_view_of_the_virtually__689.jpg Harvard Murals - Fig. 54, Installation view of the virtually restored Harvard Murals facing the central triptych, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101075930-VTGI78P452UEVAGTBINN/Harvard_Art_Musems_staff_in_discuss.jpg Harvard Murals - Fig. 55, Harvard Art Museums staff in discussion during the lighting of the Harvard Murals exhibition, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Mus https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101128661-FD2EJ2GW816D02C4V7JQ/View_of_the_video_projectors_mounte.jpg Harvard Murals - Fig. 56, View of the video projectors mounted overhead in the gallery during installation of the Harvard Murals exhibition, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archiv https://www.bryanmarkovitz.com/features-heretical-heuristic daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-exit-interview daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-345-mercury daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-objects-gstraight daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-hour-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-suicide-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-interrupt-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-345-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-minimal-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-photograph-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/articles-dumb-type daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-stein-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-resurr-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-jowl-oregonian1 daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-sds-mercury daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-resurr-artweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-faust-mercury daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-photograph-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-sds-tribune daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-minimal-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-sds-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-cult-of-the-liminal daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-resurr-mercury daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-345-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-resurr-tribune daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-minimal-at-liminal daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-modern-spin-on-brecht daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-text-technology daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-faust-oregonian daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-suicide-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-faust-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-jowl-oregonian2 daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/articles-tba daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-resurr-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/features-new-school daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/reviews-jowl-wweek daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/articles-beyond-the-fringe daily 0.75 2016-06-15 https://www.bryanmarkovitz.com/lost-museums-update daily 0.75 2016-01-31 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346182-AWIWPX1ILC3KM33SSP9W/LMPR01.jpg Lost Museums Update - Road to the Haffenreffer We went to the Museum on March 16. The sun was out and the snow was beginning to melt. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346154-U9H6EIRM36657KL6EX4I/LMPR02.jpg Lost Museums Update - The search began We strapped on the GoPros, collected our search cards, and introduced ourselves to many of the museum's phenomenal others. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346328-D7N7O4EM521Q64I46XZT/LMPR03.jpg Lost Museums Update - Wait… but what is this? Dorin asked Kevin to lead us to something used for conjuring. We arrived at a wooden pot, but Dorin was looking for something made of stone. We were just about to move on when Emily asked Kevin to tell us more about the pot. He told us that it was a mouse oracle from the Baule people of the Ivory Coast. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346364-O0V49BJ5A02H3CK2VHQT/LMPR04.jpg Lost Museums Update - The search continued Dorin asked to see something shimmering and made of stone, which inspired Kevin to show us one of the Haffenreffer's nkisi nkondi figurines from the BaKongo people (Democratic Republic of Congo). Nkisi nkondi are containers for spirits. They attract the spirit with magical substances hidden inside. This one had a mirrored belly that concealed its powerful contents. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346443-4F5VGTWF2JWK6QND2P06/LMPR05.jpg Lost Museums Update - Where in the world is that from? During our second search, Chanelle pointed up high to an incredible object that Thierry described as a mask made by the Odelay people in Freetown, Sierra Leone. It was used for urban street masquerades in the 1970s. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427561849455-Y0391K2BDXQCHODFZWJ5/LMPR06.jpg Lost Museums Update - What do objects remember? There were moments when the objects seemed to be speaking to us as surrogates for people who were absent. Some of us felt them viscerally. We wondered about the violent experiences that might have led to their separation, especially now that the objects have been made to fit within the archival assemblage. How do we address these sensations? https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346605-STJ6NBU0IRYQEGELRXQR/LMPR07.jpg Lost Museums Update - So much to discuss Our guides were very knowledgeable about the collection. They did their best to respond to our most oblique questions. Sometimes these questions seemed to follow a meaningful line of inquiry. At other times, the inquiry got lost in our desire to simply see everything, and to keep moving on to the next new thing. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556346650-YBVLLVRN4334Y4KY7FZC/LMPR08.jpg Lost Museums Update - Deliberation The sleuths had a hard time choosing objects. Sometimes we asked practical questions, like "can we replicate this?" But other choices seemed to come from a feeling of attraction to an object, or because it seemed to resonate with other objects found. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427566334144-EBDHKYPSWES01SP1D713/LMPR13.jpg Lost Museums Update - We arranged the finalists Then we photographed them, and began to talk about how they might become part of our inquiry. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427566303189-YE8000ICFYKXBMUP7R1Y/LMPR10.jpg Lost Museums Update - BaKongo nkisi nkondi The figurine made it to the final round, even though it was missing its former spear and clothing. Its power seemed to remain, nonetheless. We couldn't help but wonder what was inside its shimmering belly. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427566459791-UNPLNYV9ENMHXSAGHIP2/LMPR12.jpg Lost Museums Update - Odelay mask We brought the grand mask down from its cabinet perch to consider how we might carry it forward in our inquiry. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427566481059-6FBPFB6OELAZZPSZDIVA/LMPR14.jpg Lost Museums Update - Baule mouse oracle And we brought the mouse oracle to the finalist table. We just knew that there was something, well, magical about that little pot. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556347034-DB6BGTC1MJ6PVFL638XI/LMPR11.jpg Lost Museums Update - Ngala execution swords Our final search party selected two ceremonial executioner's swords from the Ngala people of Congo. Thierry told us that one is probably authentic, and the other is a fake. Which is which? We brought them to the finalist table. But they turned out to not be the only execution-related object on the table… https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556347606-2OAXTS8IW8QGTV5Q7GGK/LMPR15.jpg Lost Museums Update - Jacobin Phrygian cap We also found this linen and wool embroidered cap. It is one of the very few objects in the collection from Europe. It was made to be worn by a member of the Jacobin club, France's most radically left revolutionary party that held power for a short time during the the Reign of Terror. What executions might it have witnessed? Something about it also seemed to resonate with the mouse oracle (for the Baule have a complicated colonial relationship with France). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556347351-W1CFYLEG2ZVPU8VGZZS5/LMPR09.jpg Lost Museums Update - Returning to the unknown… Emily and I couldn't forget our test search on March 9. On that day, we found ourselves in the hay loft of the barn, looking at an abandoned stuffed owl that Kevin graciously agreed to test for arsenic with his portable x-ray flourescence spectrometer (XRF). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427567638545-7PQ68VWXN1RIE7F3X4SX/LMPR16.jpg Lost Museums Update - The owl-XRF assemblage So we knew we had to bring that unknown owl forward as well. Perhaps it is less the owl that attracts us, though, than the idea of putting the mouse oracle next to the museological oracle that the owl's discovery inspired (through the XRF gun's divination of the dead animal's molecular makeup). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1427556347789-OE203RRX89D9K8YTW0KF/LMPR17.jpg Lost Museums Update - Back to Brown We still needed to narrow down the list. But we were hungry. Lunch was calling and we had to get back to campus, so we left our decision in limbo. https://www.bryanmarkovitz.com/figures-chapter-2 daily 0.75 2023-03-02 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617813807-42X0T31R8TTQ0HB4499A/HM_Study_NGA_1986.56.632.png Figures: Chapter 2 - Make it stand out Fig. 4, Mark Rothko, Untitled (Study for Harvard Murals), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.56.632. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618864311-AGH8S81ZBY3UD93XYXFW/Mark_Rothko_with_John_Coolidge_in_t.jpg Figures: Chapter 2 - Make it stand out Fig. 15, Mark Rothko with John Coolidge in the Holyoke Center penthouse, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619149485-6813SWQD0XM71RJNR4IP/Rothko_451.jpg Figures: Chapter 2 - Make it stand out Fig. 17, Before: Mark Rothko, Panel One (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618711517-TB1BOQ77BFH1QQLU2E92/Mark_Rothko_receiving_his_congratul.jpg Figures: Chapter 2 - Make it stand out Fig. 13, Mark Rothko receiving his congratulatory card at the Holyoke Center with his wife Mary Alice, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618560087-2PUV29DYYJKL6OJGYX4A/First_Installation_of_Panel_One_at_.jpg Figures: Chapter 2 - Make it stand out Fig. 12, First Installation of Panel One at the Holyoke Center, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619949816-V6RJZ82U2AZJMA067BOP/Evening_dinner_in_the_penthouse_din.jpg Figures: Chapter 2 - Make it stand out Fig. 30, Evening dinner in the penthouse dining room, Holyoke Center, circa 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618108400-QKMTGQI9P2TA1FYNTAOL/Rothko_1937.jpg Figures: Chapter 2 - Make it stand out Fig. 7, Mark Rothko, Untitled (Subway), 1937, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.43.113. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618451891-EXON1NJG058ZNTAXW1V1/Michelangelo.jpg Figures: Chapter 2 - Make it stand out Fig. 10, Michelangelo, Ricetto, Biblioteca Medicea Laurenziana, Florence, Italy, public domain. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619506277-E2366VLOUK6AXTMVDXP1/Rothko_1_642.jpg Figures: Chapter 2 - Make it stand out Fig. 24, After: Mark Rothko, Panel Four (Harvard Murals Triptych), 1, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617947011-G3PVH4NXGBV2M1RRT7QK/Rothko_1962_864.png Figures: Chapter 2 - Make it stand out Fig. 5, Mark Rothko, Untitled (Study for Harvard Murals, recto), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 91.79. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619717184-YUBODLE52W3YJ4N4JFEM/Josep_Llu%25C3%25ADs_Sert_and_Harvard_admini.jpg Figures: Chapter 2 - Make it stand out Fig. 27, Josep Lluís Sert and Harvard administrators inspecting the first installation of the Rotrhko Murals, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619474468-MVFKO8GW1MPYBD2AIFT0/Rothko_1_567.jpg Figures: Chapter 2 - Make it stand out Fig. 23, Before: Mark Rothko, Panel Four (Harvard Murals Triptych), 1, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619190960-412852LN1A8QAI5BI9M0/Rothko_451_137.jpg Figures: Chapter 2 - Make it stand out Fig. 18, After: Mark Rothko, Panel One (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618164776-SLSP60SLK90157T5MBH2/Third_mural_from_the_triclinium.jpg Figures: Chapter 2 - Make it stand out Fig. 8, Third mural from the triclinium, Villa of the Mysteries, Pompeii, Italy, public domain. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618823116-CUC5NJJCW0P1FO6N62MJ/Mark_Rothko_taking_in_the_view_of_C.jpg Figures: Chapter 2 - Make it stand out Fig. 14, Mark Rothko taking in the view of Cambridge with Estelle Leontief in the Holyoke Center penthouse, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619238617-LUQUVHSCWUBRP9JJ15KX/Rothko_1962_987.jpg Figures: Chapter 2 - Make it stand out Fig. 19, Before: Mark Rothko, Panel Two (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619289028-QKLLRA6VBXXTYE55NAYB/Rothko_1962_735.jpg Figures: Chapter 2 - Make it stand out Fig. 20, After: Mark Rothko, Panel Two (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619377065-3DFQ07BYF8CV7NW6WFKZ/Rothko_1_834.jpg Figures: Chapter 2 - Make it stand out Fig. 22, After: Mark Rothko, Panel Three (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619794331-NWWN2CYDFHBO4LEYL5E8/Final_Installation_of_the_triptych__227.jpg Figures: Chapter 2 - Make it stand out Fig. 28, Final Installation of the triptych at the Holyoke Center, December 1962, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619565205-KURXYL1NKPRRS04MC3F0/Rothko_187.jpg Figures: Chapter 2 - Make it stand out Fig. 25, Before: Mark Rothko, Panel Five (Harvard Murals), Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617879023-1PII6FLORU86ERYZ919M/Rothko_1962.png Figures: Chapter 2 - Make it stand out Fig. 5, Mark Rothko, Untitled (Study for Harvard Murals, verso), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 91.79. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618044708-6M40JJXY3HPBY1Y6JILG/Rothko_1962_688.png Figures: Chapter 2 - Make it stand out Fig. 6, Mark Rothko, Untitled (Study for Harvard Murals), 1962, National Gallery of Art, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, H 23.1, 1986.56.631. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619897548-KUW70GAGUYSEPVZUAHWQ/Final_Installation_of_Panel_Five_at.jpg Figures: Chapter 2 - Make it stand out Fig. 29, Final Installation of Panel Five at the Holyoke Center, 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums). https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644616601478-ZZI6PZXGEM250M0ZCFKB/Visitors_look_onto_the_courtyard_of.png Figures: Chapter 2 - Make it stand out Fig. 1, Visitors look onto the courtyard of the Center for the Study of World Religions, c. 1960, Harvard Divinity School, BMS/131.9, Photo: Bradford F. Herzog. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617510891-8XK0RV0XWDBVG58YQQEP/View_of_the_Holyoke_Center_from_Mt.png Figures: Chapter 2 - Make it stand out Fig. 2, View of Holyoke Center and Forbes Plaza from Massachusetts Avenue, c. 1960, Photograph, Harvard University Archives, HUV 95 (7-4), © President and Fellows of Harvard College. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618503485-KVX4YB1NDX5H9VNLFK3M/Mark_Rothko_at_his_First_Avenue_stu.jpg Figures: Chapter 2 - Make it stand out Fig. 11, Mark Rothko 1485 First Avenue Studio, New York, 1964, Photograph, Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection, Gift of the Enid and Crosby Kemper Foundation, 2008.08.29, © The Estate of Dan Budnik, Photo: Dan Budnik from the series “Picturing Artists.” https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619055068-6MM73LT5TJ52RJ98P8PC/Mark_Rothko_enjoying_his_celebrator.jpg Figures: Chapter 2 - Make it stand out Fig. 16, Mark Rothko enjoying his celebratory cake with Marjorie Cohn at the Holyoke Center, January 1963, Photograph, Harvard Art Museums Archives, © President and Fellows of Harvard College (Harvard University Art Museums), Photo Credit: Elizabeth Jones. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644618344277-V08BEBDLOQU0EL8S62E7/Rothko_1962.jpg Figures: Chapter 2 - Make it stand out Fig. 9, Mark Rothko, Untitled (Study for Harvard Murals), 1962, Harvard Art Museums, Gift of The Mark Rothko Foundation © Kate Rothko Prizel and Christopher Rothko, 1986.630.1. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619343482-YJUOV3HVYF429Q4T6563/Rothko_1.jpg Figures: Chapter 2 - Make it stand out Fig. 21, Before: Mark Rothko, Panel Three (Harvard Mural Triptych), 1962, Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644617677292-3YUVTW925K7GT5ZP42X6/%E2%88%9Aiew_of_the_Holyoke_Center_from_Mt.png Figures: Chapter 2 - Make it stand out Fig. 3, View of the Holyoke Center from Mt. Auburn Street. The tenth-floor penthouse dining room is located at the top left corner., c. 1960, Photograph, Creative Commons Attribution 4.0 International, Photo: Phokion Karas. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1644619605859-W7WBMDAYYV8V0JFJN9KB/Rothko_452.jpg Figures: Chapter 2 - Make it stand out Fig. 26, After: Mark Rothko, Panel Five (Harvard Murals), Egg tempera and distemper on canvas. Harvard Art Museums/Fogg Museum, Transfer from Harvard University, Gift of the Artist, 2011.638.5 © Kate Rothko Prizel & Christpher Rothko/ Artists Rights Society (ARS), New York. Photo: Digitally restored scan of a 1964 Ektachrome transparency. https://www.bryanmarkovitz.com/figures-chapter-3 daily 0.75 2023-03-02 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654883309423-DZAZ6F9PHKJENTIWJMYZ/IMG_4460.JPG Figures: Chapter 3 - Make it stand out Fig. 32, Tacking strip for Mark Rothko’s Harvard Murals, 15 June 2018, Harvard Art Museums Strauss Center for Conservation Archives, Folder 8. © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/2042e612-712b-4874-9a50-1f8daac5ac7b/Screen+Shot+2022-02-04+at+3.39.09+PM.jpg Figures: Chapter 3 - Make it stand out Fig. 36, Exhibition photo of “Mark Rothko’s Harvard Murals” featuring the paintings in their original position with low lighting, Harvard University Art Museums (Cambridge, August 6-October 2, 1988). Works of art by Mark Rothko © 2018 Kate Rothko Prizel and Christopher Rothko. https://rothko.nga.gov/Detail/occurrences/251 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654886859096-A2JN0IFS77TP7H58R382/Screen+Shot+2022-02-04+at+3.38.54+PM.png Figures: Chapter 3 - Make it stand out Fig. 35, Exhibition photo of “Mark Rothko’s Harvard Murals” featuring Rothko’s works on paper, Harvard University Art Museums (Cambridge, August 6-October 2, 1988). Works of art by Mark Rothko © 2018 Kate Rothko Prizel and Christopher Rothko. https://rothko.nga.gov/Detail/occurrences/251 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654885592188-R9P21F0HS8ZGWZAKBOOL/Fading_Sample.jpg Figures: Chapter 3 - Make it stand out Fig 34, Fading test panel produced for the 1988 exhibition and monograph. In: Cohn, Mark Rothko’s Harvard Murals, 25. © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1654884512485-W4LOQUAOAIR2B24F7CJN/Screen+Shot+2022-06-10+at+1.05.03+PM.png Figures: Chapter 3 - Make it stand out Fig. 33, Diffraction pattern graph for Lithol Red, August 1987, Harvard Art Museums Strauss Center for Conservation Archives, Folder 6. © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1adfa881-6383-4d91-8d19-56ed7e2ee2fc/PaintCrossSection4.jpg Figures: Chapter 3 - Make it stand out Fig 31, Magnified cross section of paint sample from Panel Five. Originally printed in: Jens Stenger et al., “The Making of Mark Rothko’s Harvard Murals,” Studies in Conservation 61, no. 6 (2016): 336. A similar image appears in Hensick and Whitmore, “Rothko’s Harvard Murals,” 24. https://www.bryanmarkovitz.com/figures-chapter-4 daily 0.75 2023-03-02 https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100576461-97JS05YJPFROJVHVA2DY/Compensation_images_for_the_digital.jpg Figures: Chapter 4 - Make it stand out Fig. 46, Compensation images for the digital restoration of Rothko’s Harvard Murals, showing the uneven but widespread patterns of fading across the panels, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100919453-SU042EXOA9Z1KHELL3CY/Installation_view_of_the_assembled_.jpg Figures: Chapter 4 - Make it stand out Fig. 52, Installation view of the assembled paper and canvas studies created by Mark Rothko for the Harvard Murals, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100043539-B8GA6GR516HBHL496J88/Mock-up_of_painting_created_by_Jens.jpg Figures: Chapter 4 - Make it stand out Fig. 39, Mock-up of the painting created by Jens Stenger on display in a classroom at the Harvard Art Museums, 2015, Photograph, Bryan Markovitz. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100438649-JSAGUH5P7CNMVLW9AEXL/Detail_of_the_tacking_margin_on_Pan.jpg Figures: Chapter 4 - Make it stand out Fig. 44, Detail of the tacking margin on Panel Five (Harvard Murals) showing the red paint that was protected from fading in the small canvas areas covered by the original staples, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100498552-5PGIQQGZIARWRF6GSP67/Panel_Six.jpg Figures: Chapter 4 - Make it stand out Fig. 45, Mark Rothko, Panel Six (Harvard Murals), 1962, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Kate Rothko Prizel & Christopher Rothko/ Artists Rights Society (ARS), New York. The darker pink areas were shielded from light damage. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101128661-FD2EJ2GW816D02C4V7JQ/View_of_the_video_projectors_mounte.jpg Figures: Chapter 4 - Make it stand out Fig. 56, View of the video projectors mounted overhead in the gallery during installation of the Harvard Murals exhibition, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100685704-0GXIPBBWHF91XT2VZ93R/Jens_Stenger_works_with_Mary_Schnei.jpg Figures: Chapter 4 - Make it stand out Fig. 48, Jens Stenger works with Mary Schneider Enriquez and Narayan Khandekar to calibrate the projection system in the special exhibitions gallery where the Harvard Murals were exhibited, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100351005-92UEF0AI52GQ1UH4O1AR/Discolored_1964_Ektachrome_of_Panel.jpg Figures: Chapter 4 - Make it stand out Fig. 43, Discolored 1964 Ektachrome of Panel One (Harvard Murals Triptych) in Holyoke Center penthouse dining room, 1964, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100630167-DNQT3VXAM5P6K651EEMR/Detail_of_Panel_Four_tacking_margin.jpg Figures: Chapter 4 - Make it stand out Fig. 47, Detail of Panel Four tacking margin (Harvard Murals) showing the thin line of projected light that spills over the edge of the canvas, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663099673788-XNJ28O8QKOG2KOVY7G6G/Detail_of_Panel_One.jpg Figures: Chapter 4 - Make it stand out Fig. 37, Detail of Panel One (Harvard Murals) shows pigment-laden paint in relief on the surface of the canvas and the diluted crimson paint soaked into the canvas, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100761969-PP0KPB8KDDIX0UR838JS/Jens_Stenger_holds_a_white_poster_b.jpg Figures: Chapter 4 - Make it stand out Fig. 49, Jens Stenger holds a white poster board against the surface of Panel Four (Harvard Murals) to reveal the compensation image projected onto the painting, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100297458-KKYRNNTIZUYQ38T4E9IH/Use_of_the_Harris_Corner_Detector_i.png Figures: Chapter 4 - Make it stand out Fig. 42, Use of the Harris Corner Detector in MATLAB to create homography between Panel One (Harvard Murals) and its compensation image, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100815643-EIQRP0T8DVUGKJPZPJMW/Mark_Rothko%27s_Harvard_Murals_before.jpg Figures: Chapter 4 - Make it stand out Fig. 50, Image of Mark Rothko's Harvard Murals without light-compensation treatment, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101075930-VTGI78P452UEVAGTBINN/Harvard_Art_Musems_staff_in_discuss.jpg Figures: Chapter 4 - Make it stand out Fig. 55, Harvard Art Museums staff in discussion during the lighting of the Harvard Murals exhibition, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100228282-25R3Y8GGP3Z3VVDT7U7M/In-situ_view_of_the_process_to_alig.jpg Figures: Chapter 4 - Make it stand out Fig. 41, In-situ view of the process to align the compensation image with the painting using a Harris Corner Detector in MATLAB on a laptop computer, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663101023262-VJGLFD8J64170ZMMXUSN/Installation_view_of_the_virtually__689.jpg Figures: Chapter 4 - Make it stand out Fig. 54, Installation view of the virtually restored Harvard Murals facing the central triptych, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100169424-TFDKRCBICZI5DY91CC3J/Camera-projector_system_and_workflo.png Figures: Chapter 4 - Make it stand out Fig. 40, Camera-projector system and workflow for the color restoration of a mock-up painting, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100869538-BOG0PDV75Z8KG46X3KVU/Mark_Rothko%27s_Harvard_Murals_after_.jpg Figures: Chapter 4 - Make it stand out Fig. 51, “Target image” of Mark Rothko's Harvard Murals for restoration with projected light, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663099957578-HAMPFBX5ULX2AZ3KICS3/Calcium_Lithol_Red_crystals_grown_i.jpg Figures: Chapter 4 - Make it stand out Fig. 38, Calcium Lithol Red crystals grown in the Straus Center laboratory for analysis, 2010, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. The image originally appeared in: Stenger et al., “Lithol Red Salts,” 151. https://images.squarespace-cdn.com/content/v1/510e939ce4b0c0190c3607cc/1663100976606-ILDHV23UTS6E4ZWZCMN0/Installation_view_of_the_virtually_.jpg Figures: Chapter 4 - Make it stand out Fig. 53, Installation view of the virtually restored Harvard Murals facing the entrance, 2014, Photograph, Harvard Art Museums Strauss Center for Conservation Archives, © Harvard Art Museums. https://www.bryanmarkovitz.com/figures-introduction daily 0.75 2023-03-02 https://www.bryanmarkovitz.com/figures-chapter-1 daily 0.75 2023-03-02